Friday 23 September 2016

Anna's Gothvos stone


Anna is a Scenographer working in Russia. She placed her stone from Mounts Bay in Suzdal.

       Gothvos In Suzdal by Anna Efremova

Suzdal: Gothvos,  There are several places here with pagan connections such as Sin-Kamen (Blue Rock or  Blue Stone) in Pereslavl Zalessky town, Its a type of stone associated with sacred pagan uses, widespread in Russia and in areas historically inhabited by both Eastern Slavic (Russian), and Uralic tribes (Merya, Muroma). Unlike Sledovik (both Sledovik proper and Cup-stones), Blue Stones did not have large hollows in them, and were venerated in a simpler way: by pouring water on them, or leaving food offerings. Some of the Blue Stones are still known about, and to some extent venerated by the local population.

The stone placed in the Suzdal russian town. The name of the place is Yarunova Gora (Yarunova Hill).
The church in the photograph is from 18th century. In 12th century there was a monastery sited there. Before the monastery and christianization of Russia in 10th century the locale was a pagandom.
Yarunova Gora is a sacral place inherited for orthodox Christian culture from the pre existing pagan culture.
As it is commonly agreed, almost all the Deities from the early slavic pagandom hold a connection to the natural world. Jarilo is a Slavic god of sun, vegetation, fertility and springtime.  The worship of Jarilo was also considered as a source of happiness and harmony.
Pagan Temples were erected on the top of the hills, overgrown by trees. Pagans used to clear the top of the hill of greenery, and after that, they would raise an idol. In front of the wooden Idol they would have placed a large white stone. In some cases the place of the stone was at the foot of the hill.  The worship involved the ritual dancing and singing of songs. Pagans produced small figurines and effigies which invariably were crushed on the large white stones. This was considered an action which brings a blessing from Jarila. The Gothvos stone is a small token I left here for a blessing from nature. 



The stone placed in the Suzdal russian town. The name of the place is Yarunova Gora (Yarunova Hill).
The church on photograph is from 18 th century. Before that in 12 th century there was a monastery. Before the monastery and christianization of Russia in 10th century there was a pagandom.
Yarunova Gora is a sacral place inherited for orthodox Christian culture from pagan culture.
As it well known, almost each Deity from early pagandom slavonians has a connection to the nature . Jarilo is a Slavic god of sun, vegetation, fertility and springtime.  Worship Jarilo was also considered as a sourse of happiness and harmony.

Pagan Temples were placed on the top of the hills, overgrow by trees. Pagans used to clean the top of the hill from greenery, and after that, they have raised their idol. In front of the wooden Idol they have placed a big white stone. In some cases the place of the stone was at the foot of the hill.  The worship was all about dancing and singing songs. Sometimes pagans have produced small humanlike figures-dolls and have crashed them on the big white stone. That was considered as an action which brings a blessing from Jarila. The Gothvos stone is a small piece left here for blessing from nature. 

Friday 16 September 2016

The Royal Puppet Masters Bee Garden


https://www.facebook.com/theatrixarts?fref=ts

The Royal Puppet Masters Bee Garden

The Puppet Masters Stone.

When Paul Batten points his finger towards an object he is infusing that object with the energy to perform: an invisible link between his pointing fingertip and the reciprocal object. This act of conducting electrons as though instilling photosynthesis into his Theatre Objects describes my interpretation of just a few of the Puppet Masters skills. In plantlike situations photosynthesis occurs with the aid of the Sun, the photons captured by the plant split water molecules into oxygen and hydrogen. By doing so, they produce electrons. The electrons are then utilized by the plant, creating sugars used to maintain growth and reproduction.

Puppeteers, Makers and all kinds of constructors of objects infuse their work with a life force, often their simple materiality is sufficient to inspire reanimation particularly when placed into a corresponding or reactive location.

The result is a more intensified animation than simple physical locomotion; either by hand manipulation, via suspended strings or frame by frame of the animators gate, powered by the spectators experience and anticipatory imagination. A simple mask is endowed with the wearers soul by inflecting the subtle movement or stillness of their head, little things we ordinarily do not notice, shadows over the eyes, the direction of the gaze we put faces on things with our implicit need for stories.

 The anticipated already exists.


This invisible link between the animator and the inanimate is a fragile force. Current research into various energy sources, aided and abetted by the exponential shift in the success of hydrogen fuel cell technology is now being used propelling cars. The technological approach to plant energy is currently being evaluated as an energy source, modified Thylakoids 50,000 times finer than the finest human hair, invisible nanotubes acting as electrical conductors of plant material electrons have been discovered in experiments achieving a major shift in electrical current levels than in similar systems.
When Paul placed his Gothvos stone he chose to place it on a “stage” : the seed bed of a terracotta plant pot, since undertaking this deliberate act of placing an object, days and nights have progressed, coolness and heat have ensued in varying quantities and qualities, there has been rainfall, pollen, sound from various sources above and around, vibration from footfall, birds and insects may have removed certain elements and added others, around the placed stone the placed seeds have germinated and developed into plants which each have their own resins and oils, pollens and fibres, all these elements have conspired to create something unique from the original tabula rasa of the seed bed. What energy now exudes from this dense “horror vacui”, is it all harmony and amelioration? or a discordant chorus of temporary disfunction? either way it is a creation generating energy, what happens next?



Look out for Paul Battens Theatric Puppet extravaganzas and puppet making workshops